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Serious Whimsy » Jolana Malkston » Page 40
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Jul 232013
 

Jolana Malkston 2A Facebook post I read recently got me to thinking about the popular notion that writing and booze go hand in hand. Some very famous writers drank to excess.  I have no idea if they were tortured souls who drank as a consequence of their craft, or if they just plain liked going on a bender. Frankly, I suspect the latter.

I wondered if there could actually be an author-alcohol connection, so I kept that Facebook post in mind as I coped with a few challenges unique to writers to see whether they might drive me to drink.

For example, writers hear voices. Seriously. Ask any writer, and she’ll tell you that our characters are alive in our minds. At times, they can be very vocal. They talk to each other. They talk to us. They even argue with us. One character of mine was very upset because I wanted her to act like ‘A’ in situation ‘D.’ She refused, admonishing me for forcing her to behave out of character when I knew very well that in situation ‘D’ she would most certainly act like ‘B’ or possibly ‘C.’ She demanded a rewrite. To shut her up, I rewrote the objectionable scene, which of necessity forced me to rewrite the entire chapter. I then dug into my desk drawer for my stash of chocolate to console myself. I ate it all. I even licked the wrappers.

Writers are often forced to kill their darlings. No, not the people we love; the words we love. Writers frequently find they must delete the best loved and most perfect words, phrases, sentences, paragraphs, scenes, or chapters they have ever written if they do not advance the story. Oh, the fictional humanity! The delete button recently excised an absolutely darling chapter from my work in progress. It went off on a tangent. It didn’t advance the story. It had to go—into my Orphan Scenes and Chapters File. Damn, no ice cream left, and the chocolate is gone. Has anyone seen the peanut butter?

Writers have an internal editor. It’s an insidious voice inside our heads, other than those of our characters, which causes us to second-guess ourselves by implying everything we just wrote is crap.  So we change that crap to what we hope is better crap, which we take to our critique partners for confirmation that it’s the best crap we’ve ever written. It really bugs me when I meet my critique partner for lunch and she tells me my chapter would be so much better if I had written it (you guessed it) the way I originally had it. That’s when I order the hot apple pie a la mode with caramel sauce to prove to myself that I can make a decision without listening to that infernal internal editor’s crappy advice.

Writers must write synopses when submitting their manuscripts and partial manuscripts. If anything could drive me to the bottle, the dreaded synopsis would be it. Describing an entire novel in two double spaced pages is an exercise in futility. Therein lies madness. For several hours, I agonized over the synopsis for my current work in progress—what to include and what to leave out. It was only a matter of time before I curled up into the fetal position. Maybe one little drink—nah. Not my style. I went to the snack cupboard in search of chocolate chip cookies, proving to myself that nothing writing-related would drive me to drink. I grabbed the bag of cookies and popped one into my mouth immediately. Yum. I started feeling better already. I bit into another.

As I munched, I passed by the scale tucked in a corner beside the kitchen table. I put it there to act as a deterrent. Hmmm. I’ve been eating a lot of goodies lately while I write, and I haven’t weighed myself in a long time. I wonder if . . . I stepped onto the scale and almost choked on the cookie. Good heavenly days—that scale cannot possibly be accurate. Maybe it’s the shoes; those thick soles make them kind of heavy. I kicked them off and stepped on again. Only a one-pound difference. Off came the jeans. Another half pound down—that’s all? I pulled my jeans back on, slipped on my shoes and returned the bag of cookies to the snack cupboard with all due speed. I then trekked to the wine rack and grabbed a bottle of merlot. I knew at last why writers drink.

Fewer calories.

Jul 162013
 

Jolana Malkston 2Takes you back, doesn’t it, if you’re female?

We girls were always willing to let the boys play our games, but the reciprocity just wasn’t there. The boys always made me feel like Rudolph the Red-Nosed Reindeer when I wanted to join their little boy games.

I was small as a child, but it didn’t deter my tomboy tendencies. Playing with dolls was kind of a bore. When the boys played stickball out on the street, I begged to be included. The answer was always a resounding and extremely snotty “NO” shouted in unison. I think they rehearsed. Continue reading »

Jul 092013
 

Jolana Malkston 2As a journalist and later as a publicist, I wrote for several years under my own name. When I began writing romance, I decided to separate these professions by using a pen name for my fiction. Having the anonymity to write freely that a pen name provides was a special bonus not lost on me.

I read somewhere that a writer should select a pen name that has a personal meaning for her. Good idea. Let’s see: there were the names of the schools and universities I attended, the cities I’ve lived in, fictional characters I adore, historical figures I admire, family members who have gone to their eternal reward [Some went up, many went down, but who am I to judge?], and so on. Continue reading »

Wedding Belle Blues

 Serious Whimsy  Comments Off on Wedding Belle Blues
Jun 302013
 

Jolana Malkston 2Last night, my wonderful husband said my three favorite words—let’s eat out. He and I went out to dinner at the local university club with another couple from our neighborhood. We arrived to find the parking lot packed and couples dressed in evening clothes entering the club. We soon learned they were guests arriving for a wedding reception. Of course. It is still June, after all.

Seeing all that formal attire and the piece de resistance—the bridal gown—sent me flashing back to my near futile search for the perfect gown and a wedding that was nearly sidelined by a soap opera bride. Continue reading »

Jun 282013
 

Jolana Malkston 2It has been said among writers that a man writing at home is at work, but a woman writing at home is available—the literary equivalent of the double standard.

When I began freelance writing a number of years back, no one I knew took me seriously. Family, friends and acquaintances exchanged knowing looks and their eyebrows arched when I said I would be at my desk writing while my children were in school. Continue reading »

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